Housed within our fully accessible exhibition building, the British Music Experience has been designed to cater for visitors of all ages and abilities. With interactive hands-on exhibits, a rich mix of audio-visual interpretation and additional support material, we provide a full and enriching experience for all of our visitors.
Groups with specific needs can arrange for a member of staff to greet them and facilitate a tour of the exhibition allowing them to explore the British Music Experience in a unique way. We also offer the use of our educational room as a break-out space with advance notice.
• Learning Home Page
• Key Stage 2
• Key Stage 3
• Key Stage 4
• +16
• Industry Insider Days
• Special Educational Needs
Free Workshops for groups of 25 +
For information on how to plan and get the most out of a visit download the PDFs below:
• Risk assessment information
• How to find us
• Special Access
• Coach park booking form
• Thames Clipper river services
Call the Ticketmaster education groups booking line during business hours on:
Tickets cost £5 (plus 50p booking fee) per student up to the age of 19.
Tickets available from 10am to 4pm Monday to Friday.
Your Smarticket allows you to tag your favourite parts of the museum and your recordings and brings it all back home for you to keep...
The British Music Experience is a stunning and flexible space that can be the perfect venue for a range of personal and professional occasions...
Stay tuned for music news, random quotes, music geek facts and info on a plethora of exciting exclusive events...
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Call the ticketmaster groups booking line on:
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Spandau Ballet formed in the late 1970s in London and within just a few years were one of the most successful of the ‘New Romantic’ groups. This guitar was played by guitarist and songwriter with Spandau Ballet, Gary Kemp. It has a mother of pearl inlay designed like a stylised bird, recreated on the album cover for their LP True. Kemp was responsible for writing all 23 hit singles including classics such as ‘True’, ‘Gold’ and ‘Through The Barricades’.
